大願 2019珍藏版（小擺設,堅持,關懷）

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作品設計概念： 

緣起為藝術家楊惠姍動容於小小巴掌大的早產兒，將生命的堅持力與關懷，化為琉璃作品。

嬰孩身軀蜷在手掌上，彷彿感受到掌心溫度與慈愛，呈現安祥自在。腳、手、嬰孩身體自然起伏的線條，表現出細膩的觀察心得與悲憫的胸懷。人人俱足的清淨無暇的本性，可以看見。

作品在1997年為美國國家婦女藝術館永久典藏，此件尺寸為珍藏版。

One winter while walking through the streets of Ho Chi Minh City, Loretta H. Yang found her attention drawn to a shabbily dressed woman carrying a half-clothed young child. At her side was an even younger child sleeping on the cold hard steps of a bank. Her heart filled with deep compassion and sorrow. Upon returning home she created A Great Wish, a sculpture of a large hand cradling a sleeping baby. She believes it is the right of every child to know warmth. The artwork Artist edition is permanently collected by Bowers Museum and National Museum for Women in the Arts in the United States.

• Sound asleep, the infant rests in the cradle of a large comforting hand. The details in this design is testament to the artist’s intuition and skill.
• Color removed, liuli emanates a pure and ethereal light and conveys the idea that every life should be filled with warmth.
• A golden lotus imprinted on the base complements the sculpture resting upon it. Both lotus and hand cradle the sleeping infant. In Buddhism, the lotus is symbolic of purity and goodness, wisdom and compassion and a greater love. 

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